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A reproduction fabric club.
My reproduction fabric club specializes in antique reproduction fabrics, sending out a choice of 10 fat 1/16's of the latest reproductions fabrics that arrive between mail outs. Four mailings per year February, May, August, November - $65.00 per year or $16.25 per mailing.
Australian Residents ONLY
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Attic Heirlooms by Pat Speth for Windham Fabrics - Reproduction Fabrics - 28 fat 1/8's 10" x 21 1/2" - 28 fat 1/4's 19 3/4" x 21 1/2" |
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Bonnie Blue Basics by Paula Barnes for Marcus Fabrics. Here, Paula Barnes has developed the perfect palette to work with a wide range of Marcus reproduction collections.
Reproduction fabrics -37 fat 1/8's 10" x 21 1/2" - 37 fat 1/4's 19 3/4" x 21 1/2" - or $22.00 per metre. |
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Cambridge Collection by Judie Rothermel for Marcus Fabrics -Reproduction fabrics - 20 fat 1/8's 10" x 21 1/2" - 20 fat 1/4's 19 3/4" x 21 1/2" - |
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Charleston IV from the collection of Judie Rothermel for Marcus Brothers - Reproduction Fabrics - 28 fat 1/8's cut 10" x 21 1/2" fat - 22 fat 1/4's 19 3/4" x 21 1/2" |
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Charleston V from the collection of Judie Rothermel for Marcus Fabrics - Reproduction Fabrics - 19 fat 1/8's cut 10" x 21 1/2" - 19 fat 1/4's 19 3/4" x 21 1/2" or $25.30 per mt. |
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Civil War Classics from the collection of Judie Rothermel for Marcus Brothers Textiles Inc. - Reproduction Fabrics - 28 fat 1/8's 10" x 21 1/2" - 28 fat 1/4's 19 3/4" x 21 1/2" |
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Civil War Crossings by Barbara Brackman. Reproduction fabrics 1850-1880 for Moda - 40 fat 1/8's 10" x 21 1/2" - or $19.70 per metre. |
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Civil War Homefront
by Barbara Brackman for Moda Fabrics.
Reproduction fabrics -38 fat 1/8's 10" x 21 1/2" - 38 fat 1/4's 19 3/4" x 21 1/2" - or $21.00 per metre. |
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Civil War III Circa 1860 by Windham Fabrics - Reproduction Fabrics - 44 fat 1/16's 10" x 10 3/4" - 44 fat 1/8's 10" x 21 1/2" - 44 fat 1/4's 19 3/4" x 21 1/2" |
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Cocheco II 1883-1889 from the American Textile History Museum by P&B Textiles - Reproduction Fabrics - 27 fat 1/16's 10" x 10 3/4" - 27 fat 1/8's 10' X 21 1/2" - 27 fat 1/4's 19 3/4" x 21 1/2" |
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Collections For A Cause by Howard Marcus HERITAGE -1846 for Moda - 40 fat 1/8's 10" x 21 1/2" or $22.00 per metre. |
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Colonial Christmas by Judie Rothermel for Marcus Fabrics - Reproduction Fabrics - 27 fat 1/8's 10" X 21 1/2" - 27 fat 1/4's 19 3/4" x 21 21 1/2" or $25.00 per metre |
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Colonies Pink & Blue III by Nancy Gere for Windham Fabrics- Reproduction fabrics - American cut 23 fat 1/16's 8 3/4" x 10 1/2" - |
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Colonies Reserve by Nancy Gere.
Imports supplied most of America's textile needs both for utilitarian and decorative purposes until about 1750 when the movement toward self-sufficiency in fabric production became serious.
Common colonial textiles could have been imported or made in America after about 1640. Still by the early to mid 1800's the number of different textiles available in America was large. Some of the more elaborately printed designs came from England and France where cotton printing was by this time reaching its peak. More simply printed American cottons were being produced in the emerging industrial centers in New England.
As any student of quilting history knows, some "scrap" of almost all of these 19th century fashions have eventually found their way into our most wonderful and treasured quilts.
Colonies Reserve pays tribute to this unique period of printed fabric production, and the classic designs of the Windham Fabrics Colonies series.
- 20 fat 1/8's, 1/4's or $25.00 per mt. |
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Delaines c. 1849 by Margo Krager
This very fine French woolen dress fabric, know as muslin of wool, was first produced in the Mulhouse region of France in the 1830s. These elegant dress goods were called Delaines in both England and America.
In 1836, Jose Hofer of Mulhouse began weaving a combination fabric with a cotton warp and very fine wool for the weft. Advances in the steam style of printing which included the development of a single print paste containing the dye and the mordant plus the rapid ageing of the fabric in a steam chamber allowed for complex designs (some overprinted with wood blocks) and colors on the fabric.
Intense Prussian blue and deep greens were especially popular colorations. These fabrics were used for both clothing and decorating and are frequently found in Log Cabin/Pineapple quilts in America.
Weave history into your quilt project as Margo captures the essence of these rare European fabrics in the Delaines Collection.
Reproduction Fabrics 24 fat 1/8's, 1/4's or $25.30 per mt.
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Emigrant Trail by Nancy Gere 1840 - 1860 for Windham Fabrics -Beginning around 1841 and continuing until the mid-1860s, over 350,000 Americans moved to the western United States. To date, this marks the largest peacetime migration in history. Their goal was to reach the Oregon Territory, California or Utah. The reasons for leaving home varied, but most centered on making a better life for their families. In 1849, the discovery of gold drew even more emigrants to Colorado, Idaho, and Montana.
The westward journey to fulfill this "manifest destiny" took four to five months. Most families traveled by covered wagon across as many as five unique trails. The trip over the Rocky and Sierra Nevada mountain ranges was both difficult and perilous.
We salute those brave emigrants who opened up America's west with the Enduring Emigrant Trail collection. These unique 19th century designs impart the history and lore of American's prairie west.
Reproduction Fabrics - 32 fat 1/8's, 1/4's or $25.30 per mt. |
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Fall River by Nancy Gere for Windham Fabrics - Reproduction Fabrics - 20 fat 1/8's 10" x 21 1/2" |
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Folklore by Whistler Studios.
Folk culture is most oftern defined by the tradition and authentic spirit that make up the identity of a people. During the rise of the 19th century the Romantic ideal of nationalism lead to a newfound admiration for traditional values for the purpose of modern goals.
The long history of Folklore and its association with mythology give it a vibrant and whimsical quality. The bold colors and patterns of The Folklore Collection and the quilts that they create are as varied and full of life as the stories that they tell.
Reproduction Fabrics fat 1/8's - fat 1/4's or $24.00 per metre.
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Fredericksburg circa 1895 by Nancy Gere for Windham Fabrics - Reproduction Fabrics - 26 fat 1/8's 10" X 21 1/2" |
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French Quarter by Paula Barnes for Marcus Fabrics
Taken from antique French prints, Paula Barnes' FRENCH QUARTERS is reminiscent of the genteel times when the European trade lines were flourishing in the South. Everything from furniture, wallpaper, metalwork, porcelain, china and fabric from France was popular in the states during the 1800's. fat 1/8's - fat 1/4's or $ per metre.
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Gallery in Red by Faye Burgos for Marcus Fabrics
This upscale take on Redwork features an etched floral in red and cream, and gorgeous coordinates include a Strip-It pattern.
fat 1/8's - fat 1/4's or $23.50 per metre. |
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Gathered Over Time - Red & Blue - 1890 -1900 by Julie Hendricksen for Windham Fabrics - "No one can ever have enough shirtings," says Julie Hendricksen. As the owner of JJ Stitches in Sun Prairie WI, she knows that fact as well as anyone. Julie's eye is drawn toward vintage fabric, and her top 10 quilt shop specializes in reproduction fabrics as well as reproducing vintage quilt patterns.
Julie notes that "The beauty is in the simplicity." What is astonishing is how many different shirtings there are to choose from. What may seem similar at first glance, each of the classic designs in this collection offers possibilities for backgrounds in subtle color variations. Gathered Over Time is cleverly paired by color with the saturated ground patterns coordinating with its neutral ground shirting twin.
Reproduction Fabrics - 39 fat 1/8's 10" X 21 1/2" or $25.00 per metre |
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Gathered Over Time 1890 -1900 by Julie Hendricksen for Windham Fabrics - "No one can ever have enough shirtings," says Julie Hendricksen. As the owner of JJ Stitches in Sun Prairie WI, she knows that fact as well as anyone. Julie's eye is drawn toward vintage fabric, and her top 10 quilt shop specializes in reproduction fabrics as well as reproducing vintage quilt patterns.
Julie notes that "The beauty is in the simplicity." What is astonishing is how many different shirtings there are to choose from. What may seem similar at first glance, each of the classic designs in this collection offers possibilities for backgrounds in subtle color variations. Gathered Over Time is cleverly paired by color with the saturated ground patterns coordinating with its neutral ground shirting twin.
Reproduction Fabrics - 34 fat 1/8's 10" X 21 1/2" - 34 fat 1/4's 19 3/4" x 21 21 1/2" or $25.00 per metre |
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Grand Teint, c. 1880
Blue Medium Floral -
by Windham Fabrics.
$25.30 per metre |
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Grand Teint, c. 1880
Cream Medium Floral -
by Windham Fabrics.
$25.30 per metre |
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Grand Teint, c. 1880
Gold Medium Floral -
by Windham Fabrics.
$25.30 per metre |
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Grand Teint, c. 1880
Ivory Medium Floral -
by Windham Fabrics.
$25.30 per metre |
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Grand Teint, c. 1880
Red Medium Floral -
by Windham Fabrics.
$25.30 per metre |
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Grand Teint, c. 1880
Teal Medium Floral -
by Windham Fabrics.
$25.30 per metre |
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Harpers Ferry by Nancy Gere 1810 - 1890 for Windham Fabrics - Reproduction fabrics - 37 fat 1/8's 10" x 21 1/2" or $22 per metre |
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Hudson Bay by Judie Rothermel for Marcus Fabrics - Reproduction fabrics - 21 fat 1/8's 10" x 21 1/2" |
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Indigo Gold by Nancy Gere for Windham Fabrics - Reproduction fabrics - 26 fat 1/8's 10" x 21 1/2" |
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Inkwell Prints by Judie Rothermel for Marcus Fabrics.
Judie Rothermel interprets reds for the true collector who can never get enough; here, a variety of shades blend with beige & tan in the second group of her Inkwell series.
fat 1/8's - fat 1/4's or $23.50 per metre. |
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Jane Austen By Makower UK - Reproduction Fabrics - These are copied fabrics from some of the original textile designs from the quilt made by Jane Austen. This quilt has become very popular with today's quilters, and here are some of the original designs. These fabrics would also be terrific in the Dear Jane Quilt due to their small scale. 53 fat 1/16's 10" x 10 3/4" - 53 fat 1/8's 10" x 21 1/2" |
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Judie Rothermel presents Textiles inspired by The Old Sturbridge Village Museum - Reproduction Fabrics - collection III for Marcus Brothers Textiles, Inc - 30 fat 1/16's 10" x 10 3/4" - 30 fat 1/8's 10" x 21 1/2" 30 fat 1/4's 19 3/4" x 21 1/2" |
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Lancaster Heritage by Patty Harants for Windham Fabrics - Reproduction Fabrics - 29 fat 1/8's cut 10" x 21 1/2" 29 fat 1/4's 19 3/4" x 21 1/2"
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More Pink & Chocolate c. 1860-1885
by Nancy Gere™
We just couldn't believe how many fantastic designs were left out of the first Pink and Chocolate Collection. With that we bring you More Pink & Chocolate.
The origin of chocolate brown used as a predominant color in printed fabric appeared with regularity in the nineteenth century. The color was worn by widows who had passed out of the stage of mourning, when they were expected to wear only black. The patterns used in these "mourning browns" were simple calicos, and not like the more stylized designs featured in this collection. Reproduction Fabrics fat 1/8's - fat 1/4's or $ per metre.
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Mystery by L.B. Krueger for Windham Fabrics - Reproduction Fabrics 29 fat 1/8's 10" x 21 1/2" |
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Nottingham Village |
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Old Sturbridge Village Blues by Judies Rothermel Textiles Inc.- Reproduction Fabrics, 18 fat 1/8's 10" x 21 1/2" |
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Old Sturbridge Village Blues II by Judie Rothermel in collaboration with Old Sturbridge Village - Reproduction Fabrics, 18 fat 1/8's 10" x 21 1/2"
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Old Sturbridge Village Miniatures by Judie Rothermel and Old Sturbridge Village -
Reproduction Fabrics, 28 fat 1/8's 10" x 21 1/2" 18 fat 1/4's 19 3/4" x 21 1/2" |
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Patchwork Heritage Classics by Judie Rothermel for Marcus Fabrics. Fabrics inspired by the Heritage Center of Lancaster County
Influenced by the Lancaster region, Judie Rothermel chooses shades of cheddar, purple, blue and red for this group, inspired by the collections of The Heritage Center. fat 1/8's - fat 1/4's or $25.50 per metre.
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Pennsylvania Bluestone circa 1890 by Deborah Hearn for Windham Fabrics - Reproduction Fabrics - 28 fat 1/8's cut 10" x 21 1/2" |
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Pink Chocolate c. 1875 by Nancy Gere.
Pink Chocolate? What an odd, but delicious combination.
The origin of chocolate brown used as a predominant color in printed fabric appeared with regularity in the nineteenth century. The color was worn by widows who had passed out of the stage of mourning, when they were expected to wear only black. The patterns used in these "mourning browns" were simple calicos, and not like the more stylized designs featured in this collection.
Later in the century brown as a color in printed fabric started moving to the forefront of European fashion. The idea is perhaps copied from hard to find Indian hand painted cottons. In the early to mid 1800's these Indian fabrics using rich colors painted on top of dark grounds were rarely seen in Europe. However, as a result of these beautiful imported fabrics, it is then that we began to see brown combined with the lively colors of red and pink emerging as a trend in Europe.
Our Pink Chocolate Collection commemorates several of these stunning European designs c. 1875. 34 fat 1/8's 10" x 21 1/2" 34 fat 1/4's 19 3/4" x 21 1/2" or $25.30 per metre.
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Rhubarb & Ginger by Blackbird Designs for Moda. Gorgeous vintage florals reminiscent of our beautiful summers. American cut - 42 fat 1/8's 8 3/4" x 21 1/2" 42 fat 1/4's 17 1/2" x 21 1/2" |
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Rouenneries Collection by new designers - French General, for Moda .
Rouenneries were the cotton prints printed in the Rouen, France during the mid-18th century. The Collection is based on a collection of old prints and stripes from this era. 31 fat 1/8th - 31 fat 1/4's or $23.00 per metre.
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Rural Jardine by French General for Moda Fabrics™. Kaari Meng offers beautiful fabrics in her new collection. Inspired by fabrics of the French countryside, these textiles celebrate the agrarian life. 36 fat 1/8th - 36 fat 1/4's or $20.00 per metre.
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Scarbrough Fair by Nancy Gere c.1885
for Windham.
By Nancy Gere
Are you going to Scarborough Fair?
This stunning example of 19th century florals and blenders remind us of parsley, sage, rosemary and thyme. Elegant line work and delicate variations in color are typical of these European period engravings and are a rare find in a single collection.
The original quilt from which The Scarborough Fair Collection began was found in Northwest England very near the seaside resort of Scarborough. Founded well over a thousand years ago as Skarthaborg by the Norman and Skartha as known by the Vikings, Scarborough became a very important port and venue for tradesmen from all over England. Reproduction Fabrics, 30 fat 1/8's 10" x 21 1/2" 30 fat 1/4's 19 3/4" x 21 1/2" or $25.30 per metre.
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Spirit of the Season by Judie Rothermel for Marcus Brothers Textiles, Inc. Reproduction fabrics - 22 fat 1/8's 10" x 21 1/2" - 22 fat 1/4's 19 3/4" x 21 1/2" |
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Spirit of the Season II by Judie Rothermel in collaboration with Old Sturbridge Village -
Reproduction Fabrics, 26 fat 1/8's 10" x 21 1/2" 26 fat 1/4's 19 3/4" x 21 1/2" |
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Steamer Trunk Treasures by Pat Speth circa 1840 for Windham fabrics - Reproduction fabrics - American cut - 24 fat 1/8's 8 3/4" x 21" 24 fat 1/4's 17 1/2" x 21" |
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Sturbridge Village Calico's by Judie Rothermel inspired by The Old Sturbridge Village Collection for Marcus Fabrics - Judie Rothermel's handpicked multicolored calicos with motifs of varying sizes offer a complete collection in your favorite scrappy style or traditional quilt.-
Reproduction Fabrics, 25 fat 1/8's 10" x 21 1/2" 25 fat 1/4's 19 3/4" x 21 1/2" or $22.00 per metre. |
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Sturbridge Village Greens by Judie Rothermel inspired by The Old Sturbridge Village Collection for Marcus Fabrics - Reproduction enthusiasts will want to round out their stashes now, with these beautiful, versatile greens - you can never have too many! - Reproduction Fabrics, 19 fat 1/8's 10" x 21 1/2" 19 fat 1/4's 19 3/4" x 21 1/2" or $22.00 per metre. |
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Sturbridge Village IV by Judie Rothermel inspired by The Old Sturbridge Villge Collection for Marcus Fabrcs - Marcus continues to preserve America's quilting traditions with its fourth group of traditional Sturbridge-inspired prints by Judie Rothermel - Reproduction Fabrics - 26 fat 1/8's, 26 fat 1/4's or $25.30 per mt. |
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The American Woman's Home Collection by Windham Fabrics in association with the Harriet Beecher Stowe Center presents - Reproduction Fabrics - 35 fat 1/8's 10" x 21 1/2" 35 fat 1/4's 19 3/4" x 21 1/2" |
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The American Woman's Home Collection II by The Harriet Beecher Stowe Center - Reproduction Fabrics - 37 fat 1/8's 10" x 21 1/2" 37 fat 1/4's 19 3/4" x 21 1/2"
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The Millicent Collection by Anna Griffin. Exclusively by Windham
A collection that captures both innocence and loveliness, the Millicent collection is softly sophisticated, made up of lilacs and roses with delicate touches of plaids and lace stripes for an all together Vintage feel.
Coordinating petal pink and lavender flowers printed in a subtle ivory setting are perfect for mixing and matching to create an English garden inspired masterpiece.
26 fat 1/8's 10" x 21 1/2" 26 fat 1/4's 19 3/4" x 21 1/2" - or $25.30 per metre.
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The Regency Collection I By Judie Rothermel for The New England Quilt Museum presented by Marcus Brothers Textiles, Inc.- Reproduction Fabrics -30 fat 1/8's cut 10" x 21 1/2" |
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The Regency Collection II by Judie Rothermel for The New England Quilt Museum - Reproduction Fabrics - 29 fat 1/8's cut 10" x 21 1/2" |
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The Regency Collection III
by Judie Rothermel & The New England Quilt Museum.
Judie Rothermel presents a fresh array of prints based on the collections of the New England Quilt Museum. Note the “Thousand Triangles” preprinted yardage for quick quilt projects.
25 fat 1/8's 10" x 21 1/2" 25 fat 1/4's 19 3/4" x 21 1/2" or $25.30 per metre.
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Twelve Oaks by Judie Rothermel
Judie takes inspiration from a personal favorite, Gone with the Wind, in naming this collection after one of the plantations in the story. A pre-printed Victorian-inspired crazy quilt design and coordinates are designed to reflect the look of fabrics used by “genteel” ladies of the South.
29 fat 1/8's - 29 fat 1/4 bundles |
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Valley Forge 1860-1880 by Nancy Gere for Windham - Reproduction Fabrics 40 fat 1/8's 10" x 21 1/2" 40 fat 1/4's 19 3/4" x 21 1/2" - or $25.30 per metre. |
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Vanity Fair, c. 1865-1890 by Nancy Gere™
Vanity Fair, a place or scene of ostentation or idle amusement and frivolity. Additionally, a vain and frivolous way of life especially in large cities (after a fair held in the town of Vanity in “Pilgrim's Progress”). The name later became the title of William Makepeace Thackeray’s novel published in 1848, satirizing society in early 19th century England. It is also reminiscent of these beautiful examples of mid to late 19th century European Textiles.
All of the designs from Vanity Fair were selected from just 2 quilts from the archives of Nancy Gere. They are comprised of colors that were becoming popular towards the end of the 1860’s namely dark plums, rich browns reddish pinks and the occasional clear blue. However it is rare to find these colors together in a single quilt from this era. Vanity Fair with its large important florals and bold border stripes inspire today’s quilters to recreate quilts from the glorious age of Elizabethan England. Reproduction Fabrics fat 1/8's - fat 1/4's or $ per metre.
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Vicksburg from the Collection of Judie Rothermel for Marcus Fabrics - Judie Rothermel presents a new assortment of blues-with-browns, historic designs to be enjoyed all year long in quilts, understated accessories and home accents.
Reproduction Fabrics - 31 fat 1/8's or $25.30 per mt. |
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Vintage Charm Quilt Collection by Windham Fabrics - Reproduction Fabrics - 23 fat 1/16's 10" 1/2" x 10 1/2" - 23 fat 1/8's 10" x 21 1/2" 23 fat 1/4's 19 3/4" x 21 1/2" |
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William Penn's Vision circa 1820 presented by Windham Fabrics and the State Museum of Pennsylvania - A Mariner's Compass quilt in The Colonial Williamsburg Foundation archives inspired most of the fabrics in this collection. Made in the mid-1800s by Clarissa Dodge Marschalk, probably in New York, the exquisite original was created with 16 blocks, each containing a 32-point compass within a quilted circle. The blocks are separated by bands of glazed chintz and the outer border is a wide glazed floral chintz. Clarissa's work is exceptionally fine and her color choices of blues, yellow, browns, and pinks provide a beautiful aesthetic.
Two additional fabrics are also included in this collection. A scenic toile dated 1810, and a small floral sprig used as a backing to a chintz panel-both from The Colonial Williamsburg Foundation's collections.
With beautiful designs, enticing colors, and timeless appeal, these fabrics will help quilters create their own piece of history.
Reproduction Fabrics 35 fat 1/8's 10" x 21 1/2" 35 fat 1/4's 19 3/4" x 21 1/2" - |
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Williamsburg Centennial Collection 1780 - 1880 by Windham Fabrics - 39 fat 1/8's 10" x 21 1/2" |
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Williamsburg Clarissa c.1810-1855 by Windham Clarissa
A Mariner's Compass quilt in The Colonial Williamsburg Foundation archives inspired most of the fabrics in this Williamsburg's Clarissa collection. Made in the mid-1800s by Clarissa Dodge Marschalk, probably in New York, the exquisite original was created with 16 blocks, each containing a 32-point compass within a quilted circle. The blocks are separated by bands of glazed chintz and the outer border is a wide glazed floral chintz. Clarissa's work is exceptionally fine and her color choices of blues, yellow, browns, and pinks provide a beautiful aesthetic.
31 fat 1/8's - 31 fat 1/4's or $25.50 per metre. |
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Worn & Loved II c.1865 by Jeanne Horton for Windham - Reproduction Fabrics, 46 fat 1/8's 10" x 21 1/2" 46 fat 1/4's 19 3/4" x 21 1/2" - or $25.30 per mtere. |
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Worn and Loved by Jeanne Horton for Windham Fabrics - Reproduction Fabrics, 36 fat 1/8's 10" x 21 1/2" 18 fat 1/4's 19 3/4" x 21 1/2"
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